Out today is something I’m really happy to be involved with: Boundaries, an LP on the new multi.modal label. Based at SPARC (Sound Practice and Research @ City), a research centre at the Music Department of City, University of London, multi.modal is run by Tullis Rennie and Claudia Molitor. In their own words:
‘multi.modal is a new London based record label that muddies the borders between improvisation, field recording and composition. Each release on the label will triangulate these artistic spaces and reflect contemporary music practices, which tend to be collaborative and multimodal.’
I was lucky enough to be invited to work with City University Experimental Ensemble in April 2017, making a new graphic score, March Of The Egos, for them as well as playing my piece Off-World (as heard on the Favourite Animals album). We performed the two pieces at IKLECTIK, and it’s this recording that you can hear on side B of ‘Boundaries’.
The title of the release refers to side A of the LP: two interpretations of Chieko Shiomi’s Boundary Music. This 1963 text score reads: ‘Make the faintest possible sound to a boundary condition whether the sound is given birth to as a sound or not. At the performance, instruments, human bodies, electronic apparatus or anything else may be used.’
The Boundaries album is distributed by NMC Recordings and can be ordered from their website. I also have a couple of copies that I’ll be selling at gigs, so come and find me on a merch table somewhere soon!
Lastly I should mentioned the beautiful design work by Alexander Rennie. Look at the gorgeous cover!
This month I’m part of Seth Bennett’s ‘What Love’ project; three gigs for a brand new group, interpreting/responding to the music of Charles Mingus. Also playing in the ensemble will be Kim Macari (trumpet), Ollie Dover (alto saxophone and bass clarinet), George Murray (trombone), Adam Fairhall (piano), Johnny Hunter (drums) and of course Seth on bass. Each member of the band will bring an arrangement of a Mingus composition (or their own Mingus-inspired new composition). It should be good fun! You can catch us in Sheffield, Cambridge and Manchester. See the flyer below for dates and venues…Update: now with rehearsal video….
Sloth Racket has a new video! Our good friend Ben Owen has made this great short film of us playing at a LUME gig at The Vortex in May this year. The piece we play is called ‘Shapeshifters’ and will appear on our second album, coming out in Summer 2017.
Anton Hunter has posted a video of the LUMEkestra playing his composition ‘LUME Kestrel’. The gig was at IKLECTIK or 14th November, as part of our special LUME triple bill show for the London Jazz Festival. As well as Anton’s piece we played compositions by Paulo Duarte, Tom Ward, Martin Pyne and Dave Kane. It was a lot of fun, and the ensemble will definitely appear again in 2017: its mission is to create a space for the composers around LUME to experiment with writing for large groups.
I was quite pleased with my flyer for this gig too:
Strange to write a blog post about about a blog, but just a quick one to direct you to the Lancaster Jazz Festival blog, where I have been writing some updates on my commission for them. The latest one is about writers’ block, which bodes well for the project…
Some very exciting news for the Autumn: I’m going to be Artist In Residence at Lancaster Jazz Festival 2016! Their tireless artistic director and ace clarinettist Matt Robinson emailed me a few months ago to offer this fantastic (and terrifying) opportunity and obviously I had to say yes. The main focus of my Artist In Residence role will be to produce some new music, the performance of which will be the festival’s headline set on Saturday 17th September. So, not a very high pressure gig then…
I decided to assemble a large ensemble for the occasion, which is something I’ve wanted to do for a long time. It’s ended up as a ten-piece, and the line-up will be:
Julie Kjær flute & bass clarinet Tom Ward flute & bass clarinet Graham South trumpet Tullis Rennie trombone Dee Byrne alto sax Sam Andreae tenor sax Cath Roberts baritone sax Anton Hunter guitar Seth Bennett double bass Johnny Hunter drums
The band is basically an expanded Sloth Racket, and I can’t wait to get started on putting the music together. More on this to follow….
The festival is happening over the weekend of the 16th-18th September, and the full programme will be announced soon (keep an eye on the festival website).
Quick post about my next upcoming project. On Sunday 12th April I’ll be taking Sloth Racket, a brand new band featuring some of my favourite musicians (and favourite people!) to Gateshead International Jazz Festival. Anton Hunter, Sam Andreae, Seth Bennett and Johnny Hunter will be joining me to play some new music that I’ve put together especially for the gig; with a heavy emphasis on improvisation, of course.
After nearly two years of running LUME, Dee Byrne and I have decided that it’s time to collaborate on a musical project. We have taken the liberty of booking ourselves in for a gig at Long White Cloud on Thursday 12th February, roped in a couple of our favourite musicians, and named the project Word Of Moth – after a silly misreading while filling in a form (because, you know, we mainly do admin when we’re together).
Seth Bennett, who I first worked with in Anton Hunter’s Article 11 band last year, has agreed to be on bass. He’s great to play with! On drums will be Tom Greenhalgh, who I’ve heard in various different bands including the excellent Vole, but haven’t played with before. I’m very much looking forward to it.
Dee and I will both be bringing some compositions, and there will be lots of space for group improvisation too. If you’re free, come down and hear the results…
After a quiet January (playing-wise at least…I wasn’t short on admin), things are about to kick off in a flurry of Spring activity, so I thought it was time for an update.
LUME re-starts on February 6th, and will be running weekly at our new venue Long White Cloud in Hoxton. The full programme for Feb/March is over on our website for your perusal, but I will say here that the first gig is a real treat. We’ve got our good friends Corey Mwamba and Martin Pyne pitching up with their vibraphones, electronics and assorted bits and bobs for a duo gig. I’ll be joining them on bari sax in the second set, but don’t let that put you off. It should be a lovely evening of improvising and settling into our new home.
Next up is a bunch of gigs with Ripsaw Catfish, my new duo with the ace guitarist Anton Hunter. The music is mostly improvised, but with some elements that we’ve composed too, and we’ve been making our way around the rehearsal rooms of the London and Manchester areas working on it. Much tea has been consumed, the world set to rights, so now we’re going to embark upon what could be called a mini-tour. Hear the results at these places:
11th February: Fizzle, The Lamp Tavern, Birmingham (with Bruce Coates & Trevor Lines)
After a lot of diary checking, we’ve booked in the Quad album sessions for April. Very exciting! There is still much admin to be done, but it now feels like a real thing. And a deadline. Time to knuckle down for a winter of editing and shuffling the music around…