A very nice gig and first time trio meeting coming up on 22nd March at Hundred Years Gallery. I’ll be playing a set with Han-earl Park and Alex Bonney, as part of Ti/om’s album launch for their new release on Madwort Records, ‘The Narrow Road to The Deep North’. It’s an afternoon gig, with doors at 3.30pm. Come along….more info is on the Hundred Years Gallery site.
Here’s Tom’s lovely description of the Ti/om album:
‘The Narrow Road to the Deep North…documents [our] 2016 residency in a bothy on the Isle of Eigg, off the west coast of Scotland. [We] stayed for a week in winter, looking out over the mountains of Rhum; playing together and alone, walking in the hills, and meditating on the relation of music to place, and the process of inspiration. The music seeks an expression of personal responses to Eigg, to the wildness and the quietude both, to inhabit in the music the same emotional spaces as entered into on the island; trying to play in such a way that feels consonant with the state of being out on the hill.’
Happening in a couple of weeks’ time is the inaugural BRÅK Festival of Improvised Music, a.k.a BRÅKFest! We’re taking a trip outside of our normal beer shop setting and pitching up at Hundred Years Gallery for an all-dayer packed full of exciting improvisers. There are two sessions, afternoon and evening, with tickets on sale for both the whole day and each session separately. Head to the Musicglue tickets page to buy yours.
In a tip of the hat to our usual BRÅK format at waterintobeer Colin, Tom and I each booked a group to play as well as organising a lineup to play in ourselves. I invited Sam Andreae, Hannah Marshall and Alison Blunt for my guest group, and my own set will be with Dee Byrne and Craig Scott; a first time meeting! I’m looking forward to finding out what happens when the three of us play together.
See the poster below for full info on the festival. I’m really into the fact that it’s happening on a LEAP DAY, 29th February, so come and join us for a once-in-four-years experience…
Update: Benedict has had to pull out of the gig duo to injury :-(( But, Martin Clarke has sorted out an excellent new collaborator for me…Alex Bonney! We had a great time playing together at BRÅK in December, so I’m looking forward to doing it again. Get well soon Benedict!
Quick post to alert you to a last-minute gig! I’m playing a duo set with Benedict Taylor this Friday 14th February at Hundred Years Gallery. It’s part of an album launch night organised by Martin Clarke for his label oem. Info on the flyer below….
Happy new year! A quick post as I ease myself into 2020 after a break from the internet. I’ve updated my gigs page with my dates for January to March and it’s dominated by MoonMot: the Swiss/UK sextet is back on the road in February and March, touring in the UK and mainland Europe as well as releasing its debut album ‘Going Down The Well’ on 14th February via Swiss label Unit Records. In the mean time, you can have a listen to a couple of tracks and pre-order the album (in LP, CD and digital form) on the MoonMot Bandcamp site.
On Saturday 21st December, LUME has been invited to take over Dexter Bentley’s Hello/Goodbye Show on Resonance FM! Dee and I have both appeared on the show before (Sloth Racket played a live set in 2018), and we’re looking forward to filling a whole episode with LUME-related shenanigans. We’ll be playing some tasty tracks and talking about LUME projects, plus there will be a live set from Ti/om (Tom Ward and Tim Fairhall) and one from Dee and me as a duo.
Tune in from 12 noon until 1.30pm to hear what we’ve got up our sleeves…
A lovely couple of mid-December gigs coming up. On Friday 13th December it’s the return of my trio with Otto Willberg and Tullis Rennie, this time at Hundred Years Gallery:And then the next night, Saturday 14th December, it’s the last BRÅK of 2019 at waterintobeer! With a host of Yuletide guests….
Come one, come all, to hear some improvised music this festive season…
My duo with Dee Byrne is back! We’re at Hundred Years Gallery on Sunday 1st December for an afternoon set, sharing the bill with Tom Ward and Emil Karlsen. See Tom’s lovely flyer below for all the details…
This Sunday 23rd November sees the return of LUME to the Barbican Centre! As part of London Jazz Festival 2019 we’re presenting two trio sets starting at 5pm:
Rachel Musson, Andrew Lisle and Cath Roberts: the second outing of our new double-sax trio.
Deemer + 1: Dee Byrne’s long-running duo with sound artist Merijn Royaards is joined by special guest Johnny Hunter.
It will be great to play there again: we had such a great day doing the LUME Freestage in 2015 (which you can read about in the archives). Join us in the foyer for some fresh improvised music!
Afterwards I’ll be heading straight down to Brockley for the November BRÅK, where I’m playing duo with Johnny Hunter. The full lineup is on our website…why not round off your day with some beer shop-based improv?
At Hundred Years Gallery on Sunday 17th November: the first meeting of Dirk Serries’ new ensemble IMPETUS GROUP. Dirk has been inspired to put this group together by Derek Bailey’s Company group, Iskra 1903 and John Stevens’ Spontaneous Music Ensemble. It’s a great lineup that I’m happy to be a part of:
Saxophones : Alan Wilkinson, Cath Roberts, Martin Clarke
Bass Clarinet/Flute : Tom Ward
Trumpet : Charlotte Keeffe
Acoustic Guitars : Daniel Thompson, Dirk Serries
Double Bass : Otto Willberg
Cello : Hannah Marshall
Viola : Benedict Taylor
It’s an afternoon gig, with doors at 3.30pm. More info about the concert is on the HYG site, and you can read more about Dirk’s projects on the website of his label A New Wave Of Jazz.
Tonight on BCC Radio 3 at midnight, the first episode of a brand new improvised music programme called ‘Freeness’ will be broadcast. It’s presented by my good friend and formidable improviser, writer (of music and text) and organiser Corey Mwamba. This is pretty exciting!
Sloth Racket’s ‘We Decide What’s Next’ will be played on the show, along with me talking about the track. Constructing coherent sentences about my own work was harder than I expected, but I’m sure whatever I said has been edited into something that makes sense and it’s an honour to be part of the first episode.
With the axing and reducing of various programmes over the past few years, this feels like a really positive step by the BBC and I hope it’s the beginning of a new era of improvised music on the radio.
There’s an open call for submissions too: Corey and the Reduced Listening team who make the show have created an email address where artists can send in their music, so if you have some tracks you reckon would fit and you’d like played, send them over to freeness @ reducedlistening.co.uk.
I’m looking forward to tuning in and discovering some new music!