Author Archives: cath

Favourite Animals return to City

The Favourite Animals large ensemble will gather for a one-off 2018 date on 10th December at City, University of London. I’m looking forward to playing this music again, with a nine-piece version of the group:

Dee Byrne – alto sax
Sam Andreae – alto sax
Tom Ward – bassclarinet/flute
Graham South – trumpet
Tullis Rennie – trombone
Cath Roberts – baritone sax
Anton Hunter – guitar
Otto Willberg – double bass
Johnny Hunter – drums

The concert is free to attend, but you need to register your place on the City website as spaces are limited….

Tracks played on the Ambrosia Rasputin show…

Earlier today (Sunday 30th September) I was a guest on Ivor Kallin’s Ambrosia Rasputin Show on Resonance FM. It was a lot of fun chatting to Ivor and playing some tracks by friends and collaborators as well as some of my own, so I thought I’d post links here to the music I played. You can find the relevant albums on Bandcamp by clicking through on the embeds below. The whole show is available to listen to on Mixcloud, and also features two duo improvisations from Ivor (on viola) and me (on baritone sax) live in the studio.

We opened with a couple of my own pieces:

Then I played ‘Bone Machine’ by the Pixies! A classic track that I don’t need to link to here…

Next up was some Entropi:

And then some Article XI:

Some Birchall/Cheetham/Webster/Willberg:

And a track from the new album by Tom Ward and Adam Fairhall, the first release on Madwort Records:

To round things off I played Dee Byrne’s composition for Saxoctopus:

Big thanks to Ivor for inviting me! It was a lovely way to spend a Sunday lunchtime.

Sloth Racket ‘A Glorious Monster’ reviews roundup

The new Sloth Racket album A Glorious Monster had been making its way to the ears of various music writers this summer, and here follows a summary of their thoughts on our latest output.

In print

Daniel Spicer in the Wire noted the album’s ‘gossamer guitar webs’, ‘free burn’ and ‘doomy plods’, while Nick Hasted in Jazzwise was struck by the ‘deconstructive graft’, ‘squawks and splutters’ and ‘thunderous force’, resassuring readers that the music was ‘less grindingly abrasive than Ripsaw Catfish’ – a relief to all concerned.

Online

Meanwhile on the internet, Ian Mann of The Jazz Mann felt that the album was ‘Sloth Racket at their inimitable best’. Our first review from the Avant Scena blog featured ‘turbulent free improvisations’, and on the Can This Even Be Called Music blog (!!) we were described as ‘bringing forth a slow burn type of jazz, almost akin to doom music’. Gert Derkx on the ever-supportive Op Duvel blog had lots of positive things to say, if my my sketchy Dutch skills and auto-translate assistance are anything to go by, and we were also an Avant Music News pick of the week. Ken Waxman on Canadian blog Jazzword wrote that ‘the hard-hitting Sloth Racket quintet is refining its approach to Free Jazz without losing any of the power that characterized the band’s earlier music.’ Most recently, Paul Margree on We Need No Swords felt that ‘the border between group and individual blurs into an amorphous zone’ on this album, as well as highlighting the ‘mischievous alto pecking’, Johnny’s ‘octopoid wig out’ and ‘a cloud of mesmerising jitter’.

Big thanks to everyone who has supported the album so far! If you haven’t already, have a listen below and see what you think…