New tour, new flyer! I’m pretty pleased with this one, which is a digital mash-up of Angela Guyton‘s awesome Catfish logo design and some hand-written/drawn text by me.
Anyway, it’s been a while since Anton Hunter and I – aka Ripsaw Catfish – have been on tour, but it’s happening this June. We’re playing four dates in the North of England and London. If you’re in the vicinity of any of the gigs, come out and hear us. Our second album Namazu, which apparently came out two years ago (!) on Raw Tonk Records, will be on the merch table too. Onward, Catfish!
Out today is something I’m really happy to be involved with: Boundaries, an LP on the new multi.modal label. Based at SPARC (Sound Practice and Research @ City), a research centre at the Music Department of City, University of London, multi.modal is run by Tullis Rennie and Claudia Molitor. In their own words:
‘multi.modal is a new London based record label that muddies the borders between improvisation, field recording and composition. Each release on the label will triangulate these artistic spaces and reflect contemporary music practices, which tend to be collaborative and multimodal.’
I was lucky enough to be invited to work with City University Experimental Ensemble in April 2017, making a new graphic score, March Of The Egos, for them as well as playing my piece Off-World (as heard on the Favourite Animals album). We performed the two pieces at IKLECTIK, and it’s this recording that you can hear on side B of ‘Boundaries’.
The title of the release refers to side A of the LP: two interpretations of Chieko Shiomi’s Boundary Music. This 1963 text score reads: ‘Make the faintest possible sound to a boundary condition whether the sound is given birth to as a sound or not. At the performance, instruments, human bodies, electronic apparatus or anything else may be used.’
The Boundaries album is distributed by NMC Recordings and can be ordered from their website. I also have a couple of copies that I’ll be selling at gigs, so come and find me on a merch table somewhere soon!
Lastly I should mentioned the beautiful design work by Alexander Rennie. Look at the gorgeous cover!
This Wednesday 15th May, I’m playing in a trio with Tullis Rennie and Otto Willberg at SET in Dalston. It’s the second gig for this group, which originally got together last year for a gig at Liz Exell’s Jazz Herstory series at Poplar Union. I’m looking forward to playing together again! Otto and I collaborateid on this nice photo flyer (?!) for the occasion…
A nice gig coming up: on Saturday 11th May I’m playing in a quartet with Charlotte Keeffe, Benedict Taylor and Alex Ward at Hundred Years Gallery. This group will be a visiting ensemble at City University the week before, playing for a workshop with the composition students, so this concert will be a nice opportunity to make music together in a live setting. Timings and more about the musicians are on the Hundred Years Gallery website. Quite pleased with my flyer for this one!
Sloth Racket is sharing the bill with Dee Byrne’s excellent band Entropi for the first time on Wednesday 13th March, for a special LUME double bill concert at Kings Place. LUME has been taking some time off since our second festival in summer 2017, so it will be great to host our first event in a while at a totally new venue for us.
On Sunday 24th February the trio of Olie Brice, Corey Mwamba and me will play at Hundred Years Gallery. This will be either its second or third gig, and the first one after a long break. With Corey retiring from live performance in March, we thought we should get a date in the diary. Come along for an afternoon of improvised music and a rare last chance to hear this combination of people.